Author Archives: David Mayeda
Malala Yousafzai has received an immense amount of media attention in the past few years, and rightfully so. Just last week here at SIF, Mediha Din took a conflict theory approach to discuss Malala’s global influence as the young activist continues to advocate for girls’ rights to education. In this post, David Mayeda continues to examine Malala’s social impact, dissecting why Malala’s popularity has risen so dramatically in western society, and why other very related stories go virtually unnoticed.
As explained previously in SIF, Malala Yousafzai is a 16-year-old girl from Pakistan now residing in England. Roughly two years ago when living in Pakistan, Malala was shot in the head by Taliban gunmen after she gained noteriety as an outspoken advocate for gender equity in education. A survivor of this horrific act, Malala continues her staunch social activism and has received extensive praise by the west for her actions. Check out her amazing interview on The Daily Show, where at one point she leaves Jonathan Stewart utterly speechless:
Considering the conditions that impact girls and women in Pakistan, it is not surprising, given her incredible conviction, that Malala spoke out for gender equity. Moving beyond educational gender disparities, in 2011, Pakistan was ranked as the world’s third most dangerous country in the world to be female. As reported by TrustLaw, in Pakistan: Continue reading
Tom Hanks’ latest box office film, Captain Phillips, is making waves. According to one source, the film has already garnered $58 million in domestic ticket sales, and $63 million globally. For those of you unfamiliar with the film, it recounts a story that played out in real life off the coast of Somalia in 2009, when a group of Somali pirates took Captain Richard Phillips and his ship – the Maersk Alabama – hostage in an attempt to hold him for ransom. These events were aired in real time on numerous mainstream American news outlets. In this post, David Mayeda contextualizes Captain Phillips’ narrative, explaining how it falls into a “protectionist scenario” that makes for typical Hollywood drama.
As Nathan Palmer pointed out way back in November of 2011, Hollywood has a way of recycling ideas such that viewers can consume moderately new ideas and easily digest them through familiar formulaic scripts. One of the dominant formulas that makes for a fiscally successful Hollywood action flick is that of the “protectionist scenario.” Carol Stabile notes that this scenario includes characters that fall into one of three categories (bullet points not in original text):
- “the protected or victim (the person violated by the villain);
- the threat or villain (the person who attacks the victim); and
- the protector or hero (the person who protects or rescues the victim or promises such aid)” (p. 107).
We see the protectionist scenario play out in numerous forms of mainstream media; Captain Phillips is no exception. Even when the real Captain Richard Phillips was kidnapped in 2009 and held for ransom as the United States Navy Seals prepared their rescue mission, one could almost feel the protectionist scenario developing in real life. Captain Phillips was the victim, the Somali pirates the villains, and the American military the heroes. Hence, it is no surprise the story dominated mainstream news and was eventually reconstructed into Hollywood entertainment.
Though movie previews are very short and only provide a taste of the full film, the victim-villain-hero labels are blatantly apparent in the Captain Phillips trailer:
In fact, the Captain Phillips story may be more complex. Some may argue the Captain Phillips character also holds dimensions of heroism, and the Somali pirates, dimensions of victimization (see here). These nuances notwithstanding, the dominant protectionist scenario remains strong. Continue reading
AMC recently aired its final episode of Breaking Bad. With the series now completed, one might wonder how so many viewers could maintain loyalty to protagonist, “Water White,” the dorky low-level crystal methamphetamine producer, turned vicious kingpin, who over five seasons inflicted unbridled violence on a slew of characters. Even Breaking Bad creator Vince Gilligan expressed a sociologically-driven curiosity with Walt’s ability to emit public sympathy: “I have kind of lost sympathy for Walt along the way…I find it interesting, this sociological phenomenon, that people still root for Walt. Perhaps it says something about the nature of fiction, that viewers have to identify on some level with the protagonist of the show, or maybe he’s just interesting because he is good at what he does.” In this post, David Mayeda breaks down Breaking Bad’s success, accounting for reclaimed masculinity in a failed political economy.
For the few of you out there unfamiliar with AMC’s fictional drama, Breaking Bad tells the story of fumbling high school chemistry teacher with a PhD – Walter White (played by Bryan Cranston) – who “breaks bad” by ditching his conventional teaching gig to produce and eventually traffic crystal methamphetamine across New Mexico and the greater American Southwest. Key in the series’ storyline is that Walt is a conventional family man, deeply in love with his pregnant wife, Skyler, and teenage son, Walt Jr., who suffers from cerebral palsy. That’s a lot of financial responsibility for any high school teacher. To make matters seemingly impossible, Walt is diagnosed with terminal lung cancer. Hence Walt works in tandem with former pupil, Jesse Pinkman, to start cooking meth in hopes of making enough money for his family’s long-term future.
Over the course of five seasons, Walter White transforms from a dorky, emasculated high school chemistry teacher who cannot provide for his family, to badass drug kingpin, steeped in money and power. With nothing to lose, Walt’s ascent stems from an incessantly growing cunningness, elite intellectual acumen, and at times, departure from his once conventional moral compass. Viewers have watched Walt kill rival drug dealers, associates and kingpins, stand idly by while Jesse’s love interest dies; we even know Walt poisoned a young child. Despite these departures from conventional morality, a substantial portion of Breaking Bad‘s viewers still sympathize with, even cheer for Walt. How can this be?
Sociologically speaking, the answer lies in Walt’s ability to establish a kind of hegemonic masculinity under dreadful circumstances that on a different level, also impacted so many Breaking Bad fans. Continue reading
Hey American tough guys, ever consider playing football without pads? And no, not out on the field with your boys for fun (sorry for the gendered language). I mean an actual game, full on, full speed, full contact, full collision. The fact is, you can’t. If official football games were played without pads, athletes would get horrifically injured, even die on a regular basis. Heck, football is dangerous enough with pads and helmets. But down here in the Southern Hemisphere, we have a very speedy collision sport with no pads called rugby. I’m still getting my head around the different sporting forms of rugby that exist. A few things are for certain though – it is big, big business and can be very dangerous, the latter of which you might never know by watching the mainstream media.
Australia’s National Rugby League (NRL) is akin to the United States’ National Football League (NFL). Both organizations represent the pinnacle of male sporting success in their respective parts of the world. Rugby League allows for rather unrestricted tackling between players. Hence the collisions in Rugby League are often times very similar to those we Americans see in the NFL, minus the helmets and pads. Many people in New Zealand – where I now reside – tell me Rugby League is about as violent as a sport can get. Continue reading
If you’ve ever seen something you wanted to purchase that was advertised in a way that made you feel inadequate, I have a feeling you will relate to this post. Advertisers have a way of tapping into our emotions and sense of insecurities that influence us to build emotional relationships with products. This is all part of living in a society where ongoing production of goods and services is reliant on the population’s incessant craving for consumption. In this post, David Mayeda discusses a magazine’s presentation of mixed martial arts legend (MMA), Randy Couture, and how that presentation feeds into a “culture of lack.”
A few weeks ago I was working at the Auckland City public library. While strolling through the magazine section, I saw an issue of Muscle & Fitness with MMA legend, Randy Couture, on the cover. You may know Couture from his more recent acting career; he starred alongside Sly and company in The Expendables. But Couture’s stardom began as a combat sport athlete, first as a four-time Olympic alternate in Greco-Roman wrestling, and then winning Ultimate Fighting Championship titles five times in two different weight classes (heavyweight and light heavyweight), throughout his 30s and 40s. Now retired from professional fighting, Couture is approaching age 50.
Despite his seemingly ageless athleticism, Couture’s photo on the Muscle & Fitness cover made me do a double take. Could a near 50-year-old really look like this (see top photo)? Damn that “old man” is massive, and ripped! And if Couture can showcase such musculature, presenting an idealized version of physical masculinity at nearly age 50, why shouldn’t I?
Okay, I didn’t exactly go that far in my line of thought. Not only have I seen Couture fight on television a bunch of times, but I met and interviewed him back in 2007 (see picture, below).
The fact is, despite being a big and extremely athletic individual, Couture is not overwhelmingly massive. I’m about 5’8″ tall, around 175 pounds. The picture above of Couture and me is a bit misleading since I’m closer to the camera, but you can tell his actual physique is nowhere near that presented on the magazine cover. Continue reading
It took two decades for women to take center stage in the UFC – MMA’s most prominent organization – as athletes. The change happened on 23 February 2013 when Ronda Rousey (pictured left) defeated Liz Carmouche in UFC 157′s main event match. In this post, David Mayeda uses different feminist approaches to explore women’s future in the UFC.
During its first two decades of existence, the UFC was not only framed as a masculine institution; it was constructed that way almost in its entirety. Aside from ring card “girls” and the occasional female referee, women’s presence in the UFC was essentially non-existent. Women were not apparent in prominent managerial, coaching, or athletic roles. The latter changed this past February when Ronda Rousey defeated Liz Carmouche in round 1, via armbar submission, in the UFC’s first match involving female fighters:
Since the Rousey-Carmouche fight, the UFC has held a second match with women. The winner of that fight (Cat Zingano) will now challenge Rousey for her Bantamweight Title. But before that, the two will face off as coaches on the UFC’s reality television show, The Ultimate Fighter (now in its 18th season), which will include male and female contestants. TUF 18 tryouts just took place: Continue reading
TRIGGER WARNING: This article discusses sexual assault.
A good number of sociological bloggers and progressive journalists have rightly been covering the recent Steubenville rape case in which a small group of high school football players sexually assaulted an adolescent girl and then boasted of their exploits across social media. The case has made international headlines not only because of the sexual assault and how blatantly the perpetrators bragged about their actions, but also because the perpetrators were high status male athletes in their local community. Consequently, many of their peers and even some adult mentors essentially covered up the crime. In this post, David Mayeda reviews some of this case’s sociological coverage and discusses how sporting culture plays into rape culture across the globe.
In August 2012, at least two teenage male football players from Steubenville High School (Ohio, USA) sexually assaulted a girl from West Virginia who had come to Steubenville for a party. In a variety of disturbing ways, the males involved arrogantly bragged about the assault in online videos and on Twitter and Instagram. Sociological Images provides the alarming footage of a Steubenville High alumni who incessantly makes fun of the sexual assalut – a vivid example illustrating clear existence of what sociologists and others call a rape culture, where rape is celebrated, minimized, dismissed, covered up, and/or blame is assigned to the victim(s) (see also here and here).
Rape culture, however, frequently interacts with additional institutional forces. As noted previously, some dimensions of sporting culture also perpetuate a society’s rape culture. Dave Zirin at The Nation reminds us to question how male sporting culture operates in society. As young male athletes grow up receiving immense amounts of social privilege (e.g., incessantly being given unearned privileges and exonerated from personal mistakes), does the likelihood that they will engage in more extreme deviant actions correspondingly increase? Let me be clear, not all venerated male athletes unabashedly engage in harsh forms of deviance. In fact most probably don’t, but does the likelihood increase? Here’s howZirin posed the question: Continue reading
With the exception of 1900, wrestling has been in every modern Olympic Games since 1896. This past February, the International Olympic Committee (IOC) decided to cut wrestling from the Olympics due to reported low attendance, poor television ratings, and general lack of popularity. Wrestling has two different styles at the Olympic level, Greco-Roman and freestyle. Both will be offered in in Rio de Janeiro in 2016. However come 2020, wrestling – a sport with historic Olympic roots – will likely be slashed from the Olympic platform. In this post David Mayeda explains why the IOC’s decision is a slap in the face to women’s and girls’ sport.
Wrestling is a sport that is dear to my heart. I didn’t go that far with it, stopping after high school to pursue a collegiate track and field journey. Still, I’ll brag a bit about my high school wrestling team. Typically one of the less popular American high school sports, our team had over 100 athletes when I was a freshman. Four years later as a senior, we still had around 80 wrestlers on the team, and we were damn good, winning league championships at every level all four years I was there.
But “wrestling” at my high school actually meant “boys wrestling.” The sport was normalized as a masculine, males-only sport. You didn’t have to qualify naming it as “boys wrestling,” because everyone automatically assumed girls didn’t participate as wrestlers, or that women didn’t lead as coaches. As sociologists, we are trained to question that which is presented as normal – to expose the social forces that construct our everyday lives.
Historically, sport was divided along very gendered lines, even more so than in present time. In early twentieth century United States, sports like boxing, basketball, and track and field were developed as male-only athletic terrain. In contrast, tennis, swimming, and golf, were sports where women could participate with a bit more flexibility. Society’s leaders of that time argued that the physical contact between athletes in sports like boxing and basketball, or the heavy pounding involved in track and field events (e.g., powerful running and jumping) jeopardized women’s reproductive organs. Thus, if women were allowed participation in sport at all, it would have to be in sports that supposedly preserved women’s ability to bear children. Notably, when women did partake in sports like basketball, they were stigmatized for acting in ways that violated “proper” womanhood. Continue reading
In every culture there are social norms that govern, or at least guide society. Technically speaking, norms are informal rules that we learn over time as we grow up. Eventually, norms become so commonplace, we stop thinking about them all together. Norms, however, also function as forms of social control – they control our behavior so that we don’t deviate from or challenge the ways society says we are supposed to act. Essentially, there are consequences to breaking social norms, and sometimes, they can be quite harsh. In this post, David Mayeda takes the example of a Japanese pop star that broke the rules and the price she paid publicly.
As the rest of the world finally knows thanks to PSY’s “Gangnam Style,” a quite vibrant popular culture exists across Asia. It has existed for decades in South Korea, Taiwan, Japan, and other countries. Like the pop music industries in other countries, popular music in different parts of Asia is shaped by a variety of cultural norms. However, an almost universal norm in any youthful music industry is the tendency for performers to emit sex appeal.
In Japan, women in all female music groups can enhance their sexuality by presenting themselves as especially youthful, sexually innocent (i.e., virgins), and accessible to the male public. This is their expected – even enforced – public face. It is the norm they often follow, reflected heavily in music videos through lyrics, suggestive dance moves, and attire worn. Continue reading